Chilliwack Greatest Hits Rar
Chilliwack 1970 Chilliwack 1971 All Over You 1972 Riding High 1974 Rockerbox 1975 Dreams, Dreams, Dreams 1976 Lights From the Valley 1978 Breakdown in Paradise 1979 Wanna Be a Star 1981 Opus X 1982 Segue / Greatest Hits 1983 Look In, Look Out 1984.
Chilliwack Greatest Hits Free Download
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As the driving force behind Chilliwack during their illustrious career, Bill Henderson knew that music was his calling early in life. The native of Vancouver was already a working musician while still in high school. He was a student at UBC in 1966 when he joined the group, The Collectors. While spending a whole lot of time in California they were signed to a record deal. After a pair of albums and a string of radio singles between ‘67 and '69, including “Lydia Purple” and “Early Morning,” which found them touring with the likes of The Doors and Jefferson Airplane, The Collectors were dead, Henderson was living in Vancouver - and from the ashes rose Chilliwack. The band was rounded out by fellow ex-Collectors - drummer Ross Turney, Claire Lawrence on sax and keyboards and Glen Miller on bass. They cut their self-titled debut (also unofficially referred to as MASK because of the African head dress on the cover) in late '70 on the independant Parrot Records.
“Chain Train” was the first single, followed by “Rain O,” inspired by an Albert King show Henderson saw in San Francisco and a First Nations painting. Other noteable tracks included “Sundown” and “Everyday,” the next two singles to come off the record.
“We recorded that record in 36 hours, recorded and mixed, the whole thing. We’d never done that before, or since,” Henderson reminisced. But Miller dropped out and after picking up Robbie King and Rick Kilburn for various portions of their tours, the band was on the road non-stop, making stops throughout Canada, into the US, and the 1970 Expo in Japan. Once they came home, Miller soon dropped out, but they carried on - across Canada, to Japan, and all points in between. Not long after having changed their names from the Collectors (after two superb albums and a few singles) to Chilliwack, changing their contracts but keeping grosso-modo the same line-up, out came this first self-titled album, which is often called Parrot (re: the label), because their second album is also self-titled. This confusion, I believe is due to the fact that the album was released on different labels and thought to be deleted, but please do not quote on this.
If you have more info, please feel free to advise me on this issue. Still headed by guitarist Bill Henderson and multi-instrumentalist Claire Lawrence (whose flute and sax works are definitely making the difference), the group adopt a more west coast sound than in their previous incarnation, but also manage to sound like early Tull (on Sundown), sometimes slightly Amerindians (the chants and drum rhythms on Seventeens Summer, even if it allows for a Diddley passage) - maybe in homage to the ethnic mask on the artwork - and downright hippy-trippy and reflective (Ballad). But the group still retained some typical 60’s twist such as the fuzzed-out guitars (Got You Fixed’s wild solo) with some bluesy elements (the lengthy Rain-O) and some cool soloing (the good guitar on the great closing track Chain Train) but almost getting lost (but not quite), yet still retaining the dreamy feel. The album slowly dissolves into a quiet flute and bass outro. Please note that the Red Fox Cd-reissue of this album mentions 1972 as a release date, but this is wrong, the album being from 70. This “debut” album is not quite of the calibre of their previous albums, and if less-inspired, there are still tons of moments that lets you see the band’s brilliance, and letting you hope for a better follow-upby Sean Trane.